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🎷Learn the ii-V-I Jazz Progression

Turn ii-V-I from a chord-symbol mystery into a sound your hands can find in any key. Each drop adds one piece — voice leading, tritone subs, real-standard cycles — until you can improvise an 8-bar solo that actually resolves home.

Applied14 drops~2-week path · 5–8 min/daycreative

Phase 1Decode the Cadence

Decode what ii, V, and I actually do

4 drops
  1. Three chords do almost all the work in jazz

    6 min

    Three chords do almost all the work in jazz

  2. Smooth voice leading is what makes jazz sound like jazz

    7 min

    Smooth voice leading is what makes jazz sound like jazz

  3. Minor ii-V-i has a darker engine than its major cousin

    7 min

    Minor ii-V-i has a darker engine than its major cousin

  4. Train your ear before your fingers — name the cadence by sound

    8 min

    Train your ear before your fingers — name the cadence by sound

Phase 2Twelve Keys, Twelve Days

Drill the cadence through all twelve keys

5 drops
  1. Start with the easiest keys — then ride the circle clockwise

    6 min

    Start with the easiest keys — then ride the circle clockwise

  2. Three more flat keys — your hand traces patterns now, not chases notes

    7 min

    Three more flat keys — your hand traces patterns now, not chases notes

  3. Finish the cycle — six more keys to close the circle

    8 min

    Finish the cycle — six more keys to close the circle

  4. Replace any V7 with a chord a tritone away — and watch the bass walk

    8 min

    Replace any V7 with a chord a tritone away — and watch the bass walk

  5. Drill ii-V-I against a metronome — feel beats two and four

    7 min

    Drill ii-V-I against a metronome — feel beats two and four

Phase 3ii-V-I Inside Real Standards

Play ii-V-I cycles inside real jazz standards

4 drops
  1. Map a standard's chord chart — every box is a hidden ii-V-I

    8 min

    Map a standard's chord chart — every box is a hidden ii-V-I

  2. Watch a tune cycle through the circle of fifths in real time

    7 min

    Watch a tune cycle through the circle of fifths in real time

  3. Comp behind a recording — be the rhythm section, not the soloist

    7 min

    Comp behind a recording — be the rhythm section, not the soloist

  4. Spot the same ii-V-I cycle inside three different standards

    8 min

    Spot the same ii-V-I cycle inside three different standards

Phase 4Improvise an 8-Bar Solo

Improvise an 8-bar solo that lands home

1 drop
  1. Improvise an 8-bar solo over a looped ii-V-I in your comfort key

    25 min

    Improvise an 8-bar solo over a looped ii-V-I in your comfort key

Frequently asked questions

What is the ii-V-I progression in jazz?
This is covered in the “Learn the ii-V-I Jazz Progression” learning path. Start with daily 5-minute micro-lessons that build from fundamentals to hands-on application.
Why does ii-V-I sound so satisfying to the ear?
This is covered in the “Learn the ii-V-I Jazz Progression” learning path. Start with daily 5-minute micro-lessons that build from fundamentals to hands-on application.
How do you practice ii-V-I in all 12 keys?
This is covered in the “Learn the ii-V-I Jazz Progression” learning path. Start with daily 5-minute micro-lessons that build from fundamentals to hands-on application.
What is a tritone substitution in a ii-V-I?
This is covered in the “Learn the ii-V-I Jazz Progression” learning path. Start with daily 5-minute micro-lessons that build from fundamentals to hands-on application.
What jazz standards are built on ii-V-I cycles?
This is covered in the “Learn the ii-V-I Jazz Progression” learning path. Start with daily 5-minute micro-lessons that build from fundamentals to hands-on application.